Pastime Symphony in C Major: Game Day at Wrigley Field

by Todd Herges

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Dedicated to Donald Hall,  with reaffirmation that he is a true baseball man not of the Bush League variety.

1.
It starts outside, from the Street Section,
with a dolce voce buzz.
Percussion of feet on sidewalk keeps the beat,
punctuated by occasional horns.

2.
Now bring in the Siren,  a few blocks distant,
for just a moment, now off,
replaced by the Timpani rumble
of an elevated Red Line train.

3.
Drumming continues with volume increasing
as more musicians walk on stage
to join their fanatical peers.
This is going to be a concert to remember!

4.
A frantic girl from the String Section is running late,
an alto sax guy staggers a bit –
from his pep band’s pre-concert set
at the Cubby Bear Lounge, across the street.

5.
All line up in queues as Maestro gives cue
to the Electronic Beep section – demure as flutes, no:  more
assertive than flutes, followed by turnstile ka-thunks.
The days of sneaking in on yesterday’s ticket are gone.

A barely contained thunder grows as voices are funneled
up ramps and through tunnels
and now they break through
to an Elysian view
of greenest grass and ivy,
of rich brown dirt dotted with sparkling white bases,
of blue summer sky festooned with crepe paper contrails,
of Players poised and vital in clean pinstripes.

6.
A pause, as the Orchestra gathers in full and reflects.
This is what they have waited for,
this is why they’ve spent so long working, saving,
studying the sports page sheet music, traveling, to get HERE.

7.
And now, Philharmonic finely tuned, the real concert begins.
Sound the organ anthem!

Stand and stretch and mouth the words.

Flutter the flags with a breathy breeze.
Play ball.

8.
Hot Dogs!  Peanuts!  Cracker Jack!  Cold Beer HERE!
The pop of a pitch in the mitt;
the crack of a bat amidst sudden brief silence;
the appreciative roar of the crowd.

9.
Beauty and truth
and symphonic perfection
on a June afternoon
in Chicago.

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Posted 5/7/2010

Pork Haiku #1

By Gary Gillette

In honor of broadcaster Mario Impemba who, during the April 12 Tigers broadcast, talked about how Royals skipper Trey Hillman had managed the “Ham Fighters”…

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Nippon Ham Fighters!
WTF? Americans
Fear Pugnacious Pork.

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Posted 4/29/10

South Side Fireworks, Inside

by James Finn Garner

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On Opening Day at the Cell,
Amidst the ravening horde,
The men’s room witnessed a tryst ‘twixt
A South Side lady and lord.

All the prudes and official blue-noses
Who by this action were floored
Should think of the White Sox’s condition
And be grateful that somebody scored.

Posted 4/26/10

The Crucifixion of Alfonso Soriano

By Stuart Shea

A-bopping and a-hopping in the outfield,
Stopping if a ball clanks off his glove,
Soriano just wants to play baseball,
Do his best with energy and love.

A-snorting and a-courting fan dissension,
Writers like to use their words like knives.
Every player’s error becomes legion.
Can’t sportswriters get some f*$(@* lives?

posted 4/25/10

No More Outs to Play (A Villanelle)

by Joe Pacheco

As per Edward Arlington Robinson

They have all moved away,
The stadium’s shut and still.
No more outs to play.

No one to shout hooray
Or feel late inning thrill,
They have all moved away.

No afternoon display
Of valor, strength and skill.
No more outs to play.

Nor high priced stars to pay
Or luxury box to fill,
They have all moved away.

As empty stands decay,
Grass shrouds the pitcher’s hill,
No more outs to play.

One last fireworks array
Will deliver final kill.
They have all moved away.
No more outs to play.

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A villanelle is a poetic form which entered English-language poetry in the 1800s from the imitation of French models. A villanelle has only two rhyme sounds. The first and third lines of the first stanza are rhyming refrains that alternate as the third line in each successive stanza and form a couplet at the close. A villanelle is 19 lines long, consisting of five tercets and one concluding quatrain.   (Wikipedia)

Posted 4/23/2010