The Legend of Dock Ellis

by Ron Halvorson

Two hours before the baseball game,
Dock Ellis ate acid.

In his hotel party room,
Blacklight hallucinations.

Jimi Hendrix on the Hi-Fi,
“Electric Lady riffs.”

Whoops! Sports page don’t lie—
“Dock Ellis Pitching Tonight!”

What you gonna do, Dock? She asked.
Dock just smiled, took another hit.

The partying Pirate strolled to the mound.
“higher than a Georgia Pine.” (his words)

The hapless Padres were no match.
Dock’s lively fastball whistled.

90 miles per hour,
Rolling with flaming comet tails.

Sent with fire and brimstone,
Strikes exploding into his catcher’s mitt.

“Steee-rike”, called the Grim Reaper,
Ringing up the stunned batters.

Next came Dock’s curveball,
Floating like a Frisbee.

Ball spinning through a rainbow,
Surrealistic, sublime.

Baseball in slow motion now,
Frozen in its altered state.

Dock pounds the zone,
Sasquatch bellers, “Outta there!”

A gorilla strides to the plate,
Dock whiffs the phantom.

Dock pitching in psychedelia,
Spinning colors to the plate.

Now the strangest apparition:
Nixon behind the plate.

Jefferson Airplane in Dock’s head,
Nixon screams, “Strike three!”

“One pill makes you larger,”
“One pill makes you small.”
Bewildered Padres swung wildly,
Hitting that pill “not at all.”

Purple Haze, Sandoz,
Orange sunshine, Windowpane.

Dock levitates still higher,
High above the stadium.

Mind and body now separated,
Into the cosmic realm.

Dock wills the pitcher onward,
Below, the glassy hyaline.

He’s pitching effortlessly,
So far away from the blue planet.

“It’s all so beautiful,”
And still no hits for the Padres.

Dock’s throwing daggers, thunderbolts—
Like the enraged God.

He’s ever so wild,
Trippin’ so hard.

Where’s the plate?
Dock sees only a river of tie-dye color.
Nine free baserunners,
Eight walks, one hit batsman (who looked like Frankenstein).

Twice Dock loaded the bases,
Sorcerers on first, second, third.

Not even Don Juan would score,
Dock’s electric Kool-Aid too strong.

Padre hitters were getting scared,
That crazy look in Dock’s eyes.

Pitches from the third dimension,
Dock’s tell-tale dilated pupils.

Ninth inning coming,
Still no runs, no hits.

Dock descended from the celestial sphere,
Holding a baseball light, tiny.

Dock fired that last pitch,
A meteorite at light speed.

Through a cloudy vapor trail,
Last man out!

LSD no-hitter!
Dock gazed into the Infinite.

Jewels of the Heavens sparkled,
The Luna moon smiled.

“I pitched a fucking no-hitter!”
The Gods of baseball applauded.

Thus in 1970,
Another folk hero was born.

“What did you see on that last play?”
The confused sportswriters wanted to know.

Dock just smiled like a Cheshire cat,
“Man, you wouldn’t believe what I saw!”

The legend says Dock met Timothy Leary,
An autograph and baseball card for the acid guru.

Leary’s proclamation,
To day-trippers everywhere:
Behold Dock Ellis:
First pitcher to “turn on, tune in, and drop out!”

 

Jack O’Connor

by Michael Ceraolo

In my first trade war
I took a sum of money to jump my contract,
then stayed put and kept the money
What were they going to do, sue me?
In the next trade war
I acted as Ban Johnson’s agent
and convinced several of my Pirate teammates
to move with me to his American League
Did that earn his undying gratitude?
Hell no
It took eight years, but he got rid of me
after the Lajoie hitting spree against us
Season-ending games between non-contenders
always had, and continue to have, aspects of farce:
witness the fact that McGuire and I,
both over forty, caught for part of the day
I had the last laugh, winning my lawsuit
for the 1911 salary I was due,
though if I had to do it over
I would manage the doubleheader differently.

Informal head and shoulders portrait of baseball player Jack O’Connor of the American League’s St. Louis baseball team, standing on the field at South Side Park, located at West 37th Street, South Princeton Avenue, West Pershing Road (formerly West 39th Street), and South Wentworth Avenue in the Armour Square community area of Chicago, Illinois. Photo source: Chicago History Museum.

She Dreams of the End of Spring

By Mark J. Mitchell

She loves the hot corner. While other girls
may fall for lefties at first, she watches
deep glove work and sky-born pop-up catches
that blossom on the left field line. Balls curve
and bounce there different. When third basemen miss
a screaming liner they fall down to cheers
and dirt. The diamond dust’s light as a kiss.
Her heart smiles for forgotten Bill Mueller,
long and laconic. And Matt Williams with his fear
of the high hard one—well, everyone knows
that too-tall stance. Then Mike Benjamin’s short stint—
when God touched his bat for fifteen straight hits.
She’ll bless every utility infielder.
She prays. Training ends. Let’s go to the show.

 

This Year’s Departures

by James Finn Garner

The season is done, the jocks are stored
Only two teams are left on the board
Let’s pause now, while for Friday we wait,
And salute the retirements of a few greats.

Pujols hit his 700th for the Cards
And now will have time to work on his yard.

Bosox and Cubs champ Jon Lester
Now is an official hammock tester.

Music lover Kurt Suzuki
Can learn the banjo or bouzouki

After the majors, Ádrian González played on
But after this year, A-Gon done gone.

Melky Cabrera, the man and the myth,
Will star in community theater: “The Melkman Cometh.”

And if anyone’s  looking for J.A. Happ,
He’s out on the patio, taking a nap.

 

Paul Waner

by Michael Ceraolo

Oklahoma wasn’t a state yet when I was born there
it was still largely part of the Wild West
And a part of the Wild West ethos
was the ability to hold your liquor
I showed that ability early on,
and I always thought it helped my ballplaying,
relaxing me, and allowing me
to the lines and alleys at Forbes Field,
piling up those doubles and triples;
one season I gave up the booze
and couldn’t hit worth a damn,
so I resumed drinking on the manager’s orders
Of course,
such didn’t help my life after baseball